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a personal vanity project sharing a passion for country, folk and americana music. est. 2012..... 'start with the cliche before branching out where the music matters' pages home 2019 album reviews album release directory 2019 2019 gig reviews 2018 album reviews album release directory 2018 2018 gig reviews 2017 reviews: album cover gallery 2017 reviews: gig gallery 2016 album reviews with links 2016 gigs list with review links 2015 album reviews with links 2015 gig list with review links 2014 album reviews with link 2014 gig list with review links thursday, 25 july 2019 festival review: summertyne americana - sage, gateshead. friday 20th july to sunday 22nd july 2019 summertyne, the americana jewel of the north east, popular with locals and those of us travelling from further afield. the festival where artists still don’t heed the warning not to say ‘it’s so good to be in newcastle’, and thus face the wrath of local bi-partisanship. the event that flies the flag for music needing a little push to be heard and where the not so well-known massively outnumber the famous. come rain or shine, it is a festival that rarely fails to unearth new talent and leave those attending it in some capacity refreshed and satisfied. like so many festivals, choices need to be made on which acts to catch, with the best policy of leaving any regrets at the door once decided. as a fan you have to place faith in the organisers, who no doubt have a major balancing job to do regards availability and budget, and embrace the schedule as an opportunity to widen your appreciation of good music. 2019 saw summertyne cast a little debate in the air with their top billing, yet the strength of any festival lies within its substance and base. on this score, the event succeeded in this its 14th staging on the banks of the gateshead side of the tyne, matching up well to when last attending it two years ago. before an in-depth look at over twenty artists making the weekend a successful venture north from the midlands, a quick mention of three pros and a solitary con to the overall feel of visiting the sage this year. firstly, the immaculate and seamless scheduling of music on the outdoor jumpin’ hot club and indoor concourse stages was a sheer delight for anyone on a mission to maximise stretches of the festival’s offerings. this is the free part of summertyne and full commendation for all involved in this mass logistical exercise. this enabled many artists to be seen back to back on saturday and sunday afternoon. rachel harrington & massy ferguson secondly, the sound in the concourse was a vast improvement on what was recalled two years ago. the litmus test was watching massy ferguson twice play this location on both visits and coming across so much better in the sound department this time. finally, while the sunday river cruise was not a new development, attending it for the first time was one of the highlights of the weekend. once departure from the quayside was underway, top music filled the air from massy ferguson and rachel harrington for a near continuous two and a half hours. they each played a pair of well-channelled and adapted sets in a richly invigorating environment. listening to some seriously good americana music while cruising from newcastle to tynemouth is probably the nearest i’ll ever get to cayamo, but hey, who needs the caribbean when you’ve got the river tyne. in contrast, the one downside to the weekend was a fair few fans left music-less on saturday evening after the cowboy junkies finished their show at 8:30. there were a couple of short sets from hayley mckay on the concourse stage before hollie rogers came on at 11:30 to play an hour long slot as sage 1 was emptying. this though left things a little flat for those making the festival their sole focus of the weekend. maybe the cowboy junkies finishing relatively early created this enforced gap, but a couple of other sets could have filled the void. for the second successive visit to summertyne, the decision was made to catch the three evening headline ticketed shows in the lower capacity sage 2. this meant the long ryders won the retro clash on friday over the sold out kd lang show, mainly on the basis of preferring their style of music especially how it has inspired so much guitar fuelled alt-country and americana music that followed in its wake. the populist tendencies attached to the strictly country (a few eyebrows raised at that title) presentation on saturday was never going to compete with an evening with the cowboy junkies , despite never really being deeply into this band in their heyday. however, you need to respect and embrace class when it’s placed in front of you. similarly, kiefer sutherland’s diversion from acting into live music is not met with much enthusiasm here, and thus fell a distant second to catching marlon williams’ return to summertyne, this time headlining sage 2 on sunday with a full band. cowboy junkies so what was the overall verdict of the three headliners who somewhat chose themselves against limited opposition? sid griffin and his long ryders played their hearts out as it was la 1985 all over again. a vibrancy reverberated around the hall and all was well with the world for an hour and half. this was the same length of time that the ‘an evening with the cowboy junkies’ extended to on saturday. the effect of witnessing this set from the lofty reaches of level 3 could be roughly split into three equal thirds. the first half hour mainly sharing songs from their new album , the familiar all that reckoning, created a soothing scene setting ambience, which unfortunately led into a middle section where the prolonged intensity created a listening challenge. the switch to acoustic on the hour mark acted as the perfect personal energiser to make the last half hour a triumphant experience. if a mission of festivals is to broaden music with bands on the periphery of your horizon, friday and saturday was job done. marlon williams is an artist who creates and leaves a distinct impression. those hooking into this idiosyncratic new zealander are now starting to get a satiated fix. since playing a late night solo set at summertyne in 2017, he has graced the main stage at cambridge folk festival and now a return to gateshead with a full band in tow. the one abiding memory of this show was a stunning finale posing the thought what it would be like if marlon williams permanently ditched the guitar such was the power, guile and mesmeric movement to his vocal performance. maybe the wow factor from this as a short sharp stint provides the answer. two of these headline shows had support acts, the odd one out obviously ‘an evening with…’ english singer-songwriter hollie rogers opened for the long ryders and prompted discussion among the chattering groups afterwards. her potential, vocal capabilities and song craft met with unanimous approval , along with perhaps a need to develop a grittier edge to win over those deeply immersed in the americana spirit, such as her audience in sage 2 this evening. ida mae on the other hand, young english country blues duo ida mae have really sharpened their tools since re-locating to america in the last year. the two-piece operation consisting of chris turpin on mainly resonator and a century-old guitar and steph ward on tambourine and vocals, seemingly have the world at their feet. a rustic rawness to a sweet ’n’ sour sound has seen them make a record with ethan johns, link up with the influential american distribution organisation thirty tigers and just announcing on the evening that they are about to go on the road opening for willie nelson and alison krauss. heady days for this young couple originally from norfolk, who also happened to give a fascinating and impressively impassioned performance in their 45 minute opening slot for marlon williams. with the ticketed shows attended out of the way (the afternoon and late night ones were given a miss this year to expl

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http://www.threechordsandthetruthuk.co.uk/2019/07/gig-review-lachlan-bryan-wildes-imogen.html
http://www.threechordsandthetruthuk.co.uk/2019/05/
http://www.threechordsandthetruthuk.co.uk/2017/09/
http://www.threechordsandthetruthuk.co.uk/p/gig-reviews.html
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http://www.threechordsandthetruthuk.co.uk/p/2015-gig-list-with-review-links.html
http://www.threechordsandthetruthuk.co.uk/2015/
http://www.threechordsandthetruthuk.co.uk/2014/11/
http://www.threechordsandthetruthuk.co.uk/2012/01/
http://www.threechordsandthetruthuk.co.uk/2016/02/
http://www.threechordsandthetruthuk.co.uk/2019/07/festival-review-maverick-festival.html
http://www.threechordsandthetruthuk.co.uk/2017/01/
http://www.threechordsandthetruthuk.co.uk/2015/06/
http://www.threechordsandthetruthuk.co.uk/2018/06/
http://www.threechordsandthetruthuk.co.uk/p/album-release-directory-2018.html

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